Kiandra Buchanan, Stockroom Release
Apr
10
to May 5

Kiandra Buchanan, Stockroom Release

West Australian artist Kiandra Buchanan’s focus is still life and figurative works. The work is representational, leaning into realism, though texture and expressive brushwork are at the forefront. The artworks are mostly completed in the Alla Prima or wet on wet method, allowing greater manipulation of the paint layers and textures. Buchanan’s subjects are chosen to build a story around a thought or feeling. They are a glimpse into ones inner world, and state of mind, soft and intimate they look at the beauty and banality of the everyday.

This is her first solo show with Weswal, it will be held in the Stockroom Gallery

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Elouise Roberts,  Into the Gloaming
Apr
10
to May 5

Elouise Roberts, Into the Gloaming

Elouise Roberts lives and works in Armidale, New South Wales. She has held several solo exhibitions of her landscape paintings and drawings since graduating with a Bachelor of Fine Arts from the University of Newcastle in 2001.

Her further studies in textile design at the Royal Melbourne Institute of Technology influenced her painting style with its strong focus on attention to detail.

Elouise has received a number of awards for her art and design work including the Maitland Tertiary Student Art Prize (2000), New England Art Prize (2002) and the International Dyers and Colourists design competition (Australasian winner 2011).

Roberts' subject matter is predominantly the landscape- dramatic clouds, light through trees, deep shadows, reflections on water and undulating grasses. The New England provides endless inspiration, from its picturesque farmlands to wild gorges. 

Over the years her practice has evolved from semi-abstract and expressive techniques using mixed media, into a more representational style mostly using paints.

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Lesyle Cole, Light and Life
May
8
to Jun 2

Lesyle Cole, Light and Life

Leslye Cole studied graphic design at Randwick Technical College, graduating in 1981. During her last year of tertiary education, she accepted an invitation by the college and the Royal Alexandria Hospital for Children, Camperdown Sydney, to work in a casual position as a medical Illustrator. In 1982 she took up a position at Buchanan Bullpitt & Grey advertising agency in Milsons Point, Sydney, working as an assistant art director, and quickly promoted to art director. 

Cole changed direction in 1986, taking up a position working as a senior graphic designer at Stone Davies Alley Marketing Design, Crows Nest, Sydney. Here she was introduced to the concept of the psychological effect of colour.

In 1988 she commenced a freelance career as an illustrator and graphic designer working chiefly for international publisher, Simon & Schuster, providing book illustrations for eight non-fiction titles. Cole joined Alexander Lavroff & Associates, Rushcutters Bay, Sydney, in 1994, an agency representing a stable of Australia’s best illustrators.

In 1997, after that business folded, she joined new agency Every Picture Tells a Story, Cremorne, Sydney, which consequently took over the representation of her artistic peers. During their sixteen year association Cole provided artwork for all of the major international advertising agencies and designers working on the world’s leading brands.

In 2012 Cole relocated to a farm east of Tamworth, NSW to establish a career in fine art. 

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ELOUISE ROBERTS,  Into the Gloaming
Apr
13
5:00 PM17:00

ELOUISE ROBERTS, Into the Gloaming

All welcome to join us for our first opening event of the year, to celebrate Elouise Roberts ‘Into the Gloaming’.

Armidale based Elouise Roberts captures the New England like no other. Her exquisitely detailed renderings of the landscape are so hyper real they become almost surreal.

These works aim to capture the fleeting golden moment of transition from day to night… Into the Gloaming.

Subscribe to our email list to receive an exhibition preview. Preview will be sent on 9 April.

Exhibition runs 10 April to 5 May 2024

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Alizon Gray, finding home
Mar
13
to Apr 7

Alizon Gray, finding home

Predominantly working with oil paint on canvas, I see my paintings as illusory abstract landscapes where the landscape emerges as an imagined place, or the in-between space that connects memory and place, rather than representing somewhere specific. Through layers of various marks: squiggly lines, shapes, broad brush strokes, and veils of paint I hope to build an image that cannot be understood in a simple glance. The various paint marks aren’t representative of anything in particular. Instead, like points on a map they guide toward the memory of a place and will resonate differently for each person that engages with my paintings. 
 
I grew up in the county surrounded by a lot of open space. As an adult I have lived in Melbourne and whilst loving the urban environment I am always seeking to find that feeling of space I had around me in my childhood. Through my paintings I am trying to recreate that feeling of space for myself and hopefully for others too. I am also trying to create a feeling of calm when I look at my work.  I feel that life is chaos so I want my paintings be a counterpoint to that.  My hope is that others can find a moment of quiet and space to breathe when they are viewing my artwork.

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Looking Forward, Looking Back
Feb
14
to Mar 10

Looking Forward, Looking Back

Amber Hearn and Katie Harvey / Looking Forward, Looking Back

‘Looking Forward, Looking Back’ surveys reflections, perception and memories of internal and external landscapes experienced by artists Amber Hearn and Katie Harvey. A visual dialogue is apparent in their paintings, exploring notions of architectural and agricultural integrations into the environment through colour, light and abstraction.

Exhibition runs February 14 until March 10

Sign up to our mailing list to receive an exhibition preview.

This exhibition was developed with the assistance of a Regional Arts Quick Response Grant Regional Arts Australia

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Hey! That's My Guitar
Jan
17
to Feb 10

Hey! That's My Guitar

‘Hey! Thats My Guitar’ is an ode to the Guitar Shaped World exhibitions originally created by Reg Lynch and Michael Rolfe for Tamworth Regional Gallery.

We will be showing kitsch, fun and guitar themed artworks from multiple artists across multiple mediums. We will also be borrowing a work from the Tamworth Regional Gallery collection for the show.

‘Hey! Thats My Guitar’ is our contribution to the reknown Tamworth Country Music Festival.

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Summer Closure
Dec
23
to Jan 17

Summer Closure

Weswal Gallery will be closed for Christmas break from Saturday 23 December and will reopen on 17th January 2024.

Any Stockroom purchases made during this time will be shipped after the gallery reopens.

We want to wish all of our supporters a wonderful, safe and restful holiday season.

See you in 2024!

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Marie Larkin, Landmarks
Nov
29
to Dec 23

Marie Larkin, Landmarks

Marie Larkin returns to Weswal with‘Landmarks’ an exhibition that explores the intersection of the material landscape, and the world of memory and emotion that exists within us all.

These works are defined by tactile, painstakingly rendered surfaces that reference natural elements, yet remain elusively abstract.

‘Landmarks’ will be our final exhibition of 2023.

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OPENING EVENT
Nov
11
5:00 PM17:00

OPENING EVENT

All welcome to join us in celebrating the opening of Lynne Flemons solo exhibition, ‘Misty Trees and Mirror Lakes’, which will be accompanied by a series of ’Fluffies’, incredible textile encased ceramic vessels by emerging local talent, Jamie-Lee Garner in her first ever showing at Weswal Gallery.

This will be our final opening event of the year and we would love to see you there! All welcome x

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Jamie-Lee Garner,  Fluffies
Nov
8
to Nov 26

Jamie-Lee Garner, Fluffies

Jamie-Lee Garner is an interdisciplinary Artist that lives and works in the Northern Tablelands, on Ngarabal country in NSW, Australia. She received her BA in Architecture from the University of Sydney in 2018. In her arts practice Jamie-Lee works with ceramics, painting and film photography. Through all her works she explores the relationship between our inner world and our external reality, dealing mostly with the energetic integration or dissonance of our memories. 

 

Utilising upcycled textiles and an exploratory ceramics process Jamie-Lee is focused on optimising sustainability and creative expression. She plays with the senses through materiality and form, building sandy raku clay vessels and meticulously wrapping them in offcuts from vintage bath towels that evoke a sense of nostalgia. 

 

Each towel is individually sourced from a range of interesting characters across Australia and each of these towels has had a journey all its own. The towels are then handmade into one-of-a-kind hats at Sydney based fashion label Re/lax Remade, after which the colourful offcuts are diverted from landfill and into Jamie-Lee's hands, ready for the alchemy of the ceramics studio. 

 

"Through the process of warmly wrapping these stone like vessels I am reminded of the true expanse of human imagination and collaboration across time and mediums. This fabric has travelled across decades, been held in many hands, loved in many homes and is now living anew. These nostalgic patterns have a third chance at life and it is something quite special to know that many artisans have worked with them along the way."

 

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Lynne Flemons: Misty Trees and Mirror Lakes
Nov
8
to Nov 26

Lynne Flemons: Misty Trees and Mirror Lakes

Goulburn based artist Lynne Flemons work embodies a sense of play as she exposes interactions between colour, pattern and movement in the landscape.

Lynne received a Master of Philosophy (Arts & Social Sciences), from Australian National University, Canberra in 2015. She has exhibited regularly for over 20 years, has been nominated for numerous awards and artists residencies, and has work held is corporate and private collections in Australia and Europe. She is a Fellow of Ballinglen Art Foundation, Co Mayo, Ireland, and has been AIR at Serlachius Museum in Finland, among others.

Misty Trees and Mirror Lakes is Lynnes second solo exhibition at Weswal Gallery

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Rachel Carroll,  A Walk at Dusk
Sep
20
to Oct 15

Rachel Carroll, A Walk at Dusk

Rachel Carroll has been a practicing artist for over 20 years. An expressionist and an environmentalist painter Rachel prefers to paint about locations that are surviving rather than focus on an areas demise.

She has an MFA from UNSW , COFA and a has recently become a member of the Royal Art Society. In 2023 Rachel became a member of the Australian Watercolour Institute.

Most recently Rachel has been a finalist in the Mount Eyre Art Prize, the Hawksbury Art Prize, and the Whitewall Project Space – Into the Light Art Prize.

This exhibition features a series of landscapes refercning the artists travels and memories of the Megalong Valley and Hill End areas of NSW, and will be showing in the Stockroom Gallery

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Maree Kelly, The Pilliga
Sep
20
to Oct 15

Maree Kelly, The Pilliga

Much adored Gunnedah artist Maree Kelly returns to Weswal Gallery with her solo exhibition, The Pilliga.

As the title suggests, Maree has produced a body of work referencing the subtle yet distinct beauty of the Pilliga Forest, an area of great ecological and cultural value that faces significant threats from CSG exploration.

This exhibition highlights the rare and unassuming beauty of this ancient forest.

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Slow Fashion Clothes Swap
Sep
16
2:00 PM14:00

Slow Fashion Clothes Swap

Very excited to host our first ‘Slow Fashion Clothing Swap’ at Weswal Gallery!

Working in conjunction with Sustainable North West and Tamworth Regional Landcare, the Slow Fashion Clothing Swap presents an opportunity to swap your quality clothes and find new slow fashion clothing treasures. Snag some new threads that wont cost you, or the earth!

Light refreshments provided. Please RSVP and send enquiries via Sustainable North Wests event on Facebook - link HERE

What do we mean by ‘Slow Fashion’? It's mindfully created, curated collections based on quality finishes, versus pumping out large quantities of seasonal and trendy clothing. So, while they have their place in our wardrobes, we will be avoiding those fast fashion brands such as ASOS, Target, H&M etc.

Please make sure items are clean and on a hanger, ready for inclusion on the racks kindly supplied by Lifeline.

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Liz Priestley, Mini Solo
Aug
30
to Sep 17

Liz Priestley, Mini Solo

Local favorite Liz Priestley returns to Weswal with a mini solo release in our Stockroom Gallery.

Liz Priestley is a regional artist living and working in the small village of Manilla, in northern NSW. Encaustic is her chosen medium. Liz’s work is best described as a combined interpretation of both the immediate physical landscape, and that of the internal landscape. It is an exploration of the subject, viewed via a nostalgic lens.

 “Memory and an emotional connection to place, are the elements I try to bring together in my work.Our earliest memories are what fascinates me. I strive towards pinpointing the connection between our first impressions of our environment, and its emotional corollary within our future. Landscape is our conduit for the spiritual, this has been illustrated across cultures and generations. By using encaustic, I am alternately layering, carving and scraping out an image. There is a revelation in the work as it progresses, and its final form. This process is a physical representation of searching those layers of memory. The resulting image is the vehicle in which the viewer resonates with their own epiphany of personal, binding memories”

Her choice of encaustic (wax) as a medium in the creative process is for both its architectural and reductive qualities, allowing for a narrative to build through the layers which can then also be selectively revealed by carving, scraping and melting. “I began using encaustic with oils as merely a vehicle to add texture and layering to my work, about six years ago. Over time however, as I became comfortable with the medium and I realised its amazing properties and the extent of its flexibility; I started to use it as the base medium for all my work. Encaustic has a unique combination of characteristics which I love: It hardens immediately so there’s no drying time, it is semi-transparent and so layering can bring out lovely images, and it can be sculpted into. Not to mention that you can transfer images onto it, polish the surface, collage onto it and use a multitude of other mediums with it!”

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Living Colour, New England
Aug
30
to Sep 17

Living Colour, New England

A group exhibition that amplifies and exposes the subtle colours of the New England landscape. Curated by Kate Hofman, Director Weswal Gallery

Featuring Gemma KING (Walcha, printmaking) Paula JENKINS (Walcha, painting) and Rita WINIGER (Armidale, painting). 

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Elizabeth Mead and Zoë Tjanavaras 'Between the Lines'
Aug
9
to Aug 27

Elizabeth Mead and Zoë Tjanavaras 'Between the Lines'

A ceramicist and a painter come together in ‘Between the Lines’. A friendship forged in mutual admiration and support for each others creative practice is the foundation for this show featuring Newcastle based duo, Elizabeth Mead and Zoë Tjanavaras.

Ceramic artist Zoë Tjanavaras creates vessels that are organic, tactile and delightfully peculiar! She was the winner of the Ceramics section in the 2020 Muswellbrook Art Prize.

Liz Mead paints structural and expressive, light filled Australian landscapes. She was a finalist in the 2022 Muswellbrook Art Prize and the Gosford Art Prize 2021.

Opening Event will be held on Saturday 12 August @5pm

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Sonia Martignon, Into the Wild
Jul
19
to Aug 6

Sonia Martignon, Into the Wild

Sonia Martignon’s art practice is based in and inspired by the northern territory. Her imagery is driven by an intense curiosity with nature, landscape and mythology and her distinctive colour palette echoes the hues found in this unique landscape. She works on hand cut wood and records ideas using the mediums of acrylic, graphite and pyrography.

Into the Wild is her inaugural solo exhibition

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BLOOM 2023
Jun
28
to Jul 16

BLOOM 2023

Weswal Gallery’s annual exhibition of Botanical and Still Life art

Our incredible 2023 line up features

Jessica ALEXANDER

Lisa HOELZL Ceramics

Belinda JEANES

Kirsty McINTYRE

Marilou PALAZON

Jane Frances TANNOCK

Sophie WITTER

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Scott McDougall, Embrace
Jun
7
to Jun 25

Scott McDougall, Embrace

Despite the chill in the air as I gazed out over the rich tapestry of the Northern Tablelands, just east of Tenterfield, I felt a warmth spreading through my chest, a sense of belonging and connection to this land that had been shaped over millennia by wind and water and fire. The stillness of the winter morning only served to amplify the power of the landscape before me, reaching out in open embrace.
— Scott McDougall

Welcoming Scott McDougall in his debut showing at Weswal Gallery, Embrace.

A contemporary realist painter with an extensive exhibition history, Scott has produced a body of work that references the stunning New England High Country, from Tenterfield through to Armidale. Exquisitely detailed, these paintings capture the vastness and luminous light experienced in ‘Big Sky Country’.

Express your interest in this exhibition by emailing the gallery at info@weswalgallery.com.au

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Janna Hayes, This Must Be the Place
May
17
to Jun 4

Janna Hayes, This Must Be the Place

Armidale based emerging artist Janna Hayes presents her debut mini solo exhibition in the Stockroom Gallery. Her work consists of large, expressive landscape and abstract pieces that examine the way we turn to nature for solace, grounding and rejuvenation.

Painted primarily in bitumen and oil paint on paper, Janna’s work reflects a deeply personal journey of moving through grief in a foreign landscape and learning to challenge one’s own narrative in order to find beauty and connection in the unfamiliar.

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Anna Henderson, Chasing Shadows
May
17
to Jun 4

Anna Henderson, Chasing Shadows

Anna Henderson presents a series of hand built Raku and smoke fired ceramic vessels and mixed media paintings in her solo exhibition, Chasing Shadows.

A long time Weswal collaborator, Anna’s work is much admired for its sense of intrigue and her unique technical approach to the medium. Her wall works reflect her ceramic practice and are formed using plaster upon board which is etched into, burnished and texturised.

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Alicia Cornwell, Souvenir
Apr
26
to May 14

Alicia Cornwell, Souvenir

“I am exploring the positioning of classic English gardens in the major tourist area that we live in (Olinda Victoria). It has always struck me as a very strange phenomenon that visitors flock up here to visit gardens devoted to European flora when another couple of steps will take you to a number of national parks with the most stunning fern gullies and largest flowering eucalypts in the world. A clash of English froth against brilliant native flora using my large collection of vintage English fabrics and Vintage Australian souvenir cloths.”

Alicia Cornwell on ‘Souvenir’

Alicia is a full time artist specialising in oils of Still Life. Working from her studio in Olinda on top of Mount Dandenong just outside Melbourne, she is inspired by her collection of Vintage and Antique fabrics she has collected during her 25 years as a Vintage Merchant for interior design in her previous career.

 Alicia completed her Bachelor of Fine Art degree in 1985 with a Diploma of Education tacked on after that and has been working creatively since.

 Alicia is the proud WINNER of the Still Life Category for Art Lovers Australia Art Prize 2022 AND Bluethumb Art Prize in 2021. She has also been a finalist in Lethbridge 20000 Small Scale Art Award (Gallery Hang) and the Omnia Art Prize 2021 among others

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Kate Stehr, Narrative Forms
Apr
5
to Apr 23

Kate Stehr, Narrative Forms

Kate Stehr is a trained sculptor with a Masters of Philosophy in Creative Arts Research, an Advanced Diploma of Fine Arts, and Bachelor of Fine Arts (Honours). Her two key artistic pursuits are sculpture and collage, with each practice different and yet informing the other.

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Rebekah Lukins, And We Knew The Sky
Mar
15
to Apr 2

Rebekah Lukins, And We Knew The Sky

“My practice is centred on an interaction and observation of the Australian landscape, focussing on the unique character and grandeur of this subject matter. My works incorporate a range of mark making techniques to negotiate experiences of my surroundings, using elements of painting, printmaking and drawing. I continue to draw inspiration from my experiences of growing up in regional New South Wales, finding the familiar colours and shapes a recurring theme throughout my practice. 

I find the Australian landscape to be unique in appearance and character. More recently, I was able to spend time in a new part of the Australian landscape; Tasmania. This is a land of cooler weather and colours; shades and shapes that are less familiar, yet not completely foreign. Many of these works are inspired by my experience there, as I observed a new landscape, guided by the sky above and earth beneath.”

Rebekah Lukins on ‘And We Knew the Sky’

Rebekah Lukins is a artist and arts educator based in Tamworth NSW, she attend the College of Fine Arts at UNSW from 2014 - 2018.

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Tori Delany, Somewhere Blue
Feb
22
to Mar 12

Tori Delany, Somewhere Blue

Tori Delany is an artist living and working in Mparntwe (Alice Springs, NT) who makes original abstract landscape paintings inspired by the Australian landscape. Tori graduated from the University of South Australia with a Bachelor of Visual Arts, with a specialisation in Painting in 2015. She went on to pursue graduate studies in Art History before returning to her art practice, which is influenced by her master’s research into female landscape painters and colonisation.

Her work aims to explore her connection to the landscape in a sensitive and emotive, but also fun and playful way.

Having recently moved from Adelaide, where she grew up, to Alice Springs, her work is experiencing a sense of evolution which reflects the stark difference in the landscape. While the iconography does not always strictly reflect the native flora of an area, the mood and atmosphere is subtly different, and the size of the works is gradually increasing to reflect the vast, never ending feeling of the desert.

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Sophie Honess, Emily's Vases
Feb
1
to Feb 19

Sophie Honess, Emily's Vases

Sophie Honess is a textile artist, specialising in weaving, embroidery, tufting, and latch
- hook techniques. She creates works which respond to her immediate environment of Gomeroi country.
She is also a weaver with Yinarr Maramali, a first-nations business who practice and teach cultural Gomeroi weaving in the local community.

Emily’s Vases is a series of still life works based around Sophie’s sisters extensive collection of West German Pottery.

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Holiday Closure
Dec
23
to Jan 11

Holiday Closure

WESWAL WILL BE CLOSED FROM 3PM FRIDAY 23 DECEMBER 2022 , REOPENING WEDNESDAY 11 JANUARY 2023

WE WANT TO WISH ALL OF OUR SUPPORTERS A BIG THANK YOU AND A HAPPY, RESTFUL HOLIDAY . WE HAVE ANOTHER FULL AND EXCITING YEAR OF EXHIBITIONS PLANNED FOR 2023, SO WE LOOK FORWARD TO WELCOMING YOU THEN

KATE X

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Charmaine Pike,  Hippocampus
Dec
7
to Dec 23

Charmaine Pike, Hippocampus

Saturday December 10 @5pm we will be celebrating the opening of Charmaine Pike’s solo exhibition, Hippocampus.

This will be our last exhibition and our last event for 2022, so please bring a friend and join us to celcbrate.

Charmaine has produced a series of new paintings and will also be offering a small selection of gorgeous early career drawings

Hippocampus runs from 7 until 23 December. Please contact the gallery if you are interested in a advance preview. Charmaine Pike is represented by Defiance Gallery in Sydney

Pictured: Charmaine Pike, ‘Hide and Seek’ acrylic on board, 660Hx 635W, framed.

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